Photo Processing

As a matter of fact, all images need photo processing. Accordingly, images that have no photo processing, appear flat and lifeless. In this case, the photo process I use is simple to follow.

In the first place, download the images from the camera to the PC. Accordingly, the processing can be individual or as a batch. Of course, if you batch process to save time, you must check each image individually for minor adjustments after.

Process for Photo Processing

In the first place, the correct white balance has to be set in-camera ( see XRITE for product details )In general, I follow this process. First, correct the colour balance of the image, (see Blog article for information) then correct lens corrections and improve the image detail.

Picture of Photoshop ACR screen for Photo Processing

Accordingly, the next actions take place in the basic panel of ACR. In the first place I select the colour profile. As a result, I use the histogram to ensure that the triangles on the left and right are black for the next step. Consequently, the next step involves moving the exposure, contrast, highlights, shadows, whites and black sliders.

Exposure

In general, move the slider right to lighten and left to darken.

Contrast

Makes the bright areas brighter (move slider left) and dark areas darker (move slider right)).

Highlights

Move the slider right the light areas dull. Move it left the light areas brighten. Be careful when moving right the image may start to blow.

Shadows

Move the slider right the shadow areas get darker. Move the slider right the shadow areas get lighter

Whites

Move the slider right the white areas darken. Move the slider to the left the white areas lighten. Be careful when moving right the image may start to blow.

Blacks

Move the slider right the dark area darkens. Move the slider right the dark areas lighten. Be careful when moving right the image may start to blow.

Clarity

Move the slider to the left and you soften the picture. Move to the right to sharpen the picture.

Additional Sliders for Photo Processing

Vibrance and Saturation

The Vibrance slider affects the intensity of colours. It has the strongest effect on muted colours in the image. The Saturation slider increases the colour intensity of all colours in the image.

Five sliders in Noise Reduction

Accordingly, these are used when you have a high ISO picture. The noise that appears in the image can be smoothed with these.

Final steps in the photo processing

In this case, ensure the two triangles on the histogram are black. As a result, once the adjustments have been made to your satisfaction you can save or open your image. Consequently opening your image will enable you to do further work in Photoshop.

I hope that this process has helped in your post-processing. However, if this has raised questions, feel free to contact me.

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First Headshot Session

In fact, your first headshot session can appear very daunting. As a result, you may feel anxious about what you are going to experience.

Therefore, whatever your reason for the photo-shoot

  • whether a friend said you needed one
  • whether you found out how short a time it takes to form your first impression
  • you felt that it was time
  • or you read this article at photo feeler
Picture of a lady First Headshot Session

Accordingly, good preparation is the key.

Preparation for your First Headshot Session

In the first place, it’s definitely an important step. Markedly, your first headshot session can appear very daunting. As a result, you may feel anxious about what you are going to experience. Equally, as a rule, people don’t like to be photographed.

As a matter of fact, a lot of photographers have information on their websites that tell you how to prepare. Accordingly, this ranges from what to wear, hair and makeup, drinking plenty of fluids to deciding the type of background you want. In this case, here’s a link to mine. In addition, if it helps I can also supply a photography brief available on my LinkedIn Profile

Consequently, the trick to good quality photography is to put the subject at ease. I usually do this before I start to take photos. As a result, by chatting with the subject finding something out about them relative to the shoot. Whilst doing this I also am looking at the subject’s face and stance. As well as this, I am also looking at the subject’s face and stance. Accordingly, I also like to establish whether the images are to be colour or Black & White. Consequently would inside or outside images be required.

All the aboves about finding out whether the image needs to be natural or playing a character.

In addition, there is a thought that the headshot is all about the head. However, it’s also about what you wear. In this case, the clothing you wear adds to the perception you portray. When you wear different things you feel different, you act differently.

Attitude

Accordingly, the majority of headshots I take are for businesses. Therefore, they require to display an air of friendliness and authority. In other words, people buy from people they “Know, Like and Trust”.

Moreover, at the end of the session, I ask if the subject would like to see the images. Of course, this is only viewable on the small screen of the camera. In this case, it’s to make sure that the subject is happy with the result.

Your Details

How can we help?

Feel free to ask a question or simply leave a comment.

For further information contact Martin now. Alternatively, complete this form.

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Rules regarding drones

Rules regarding drones

In the first place, what are the Rules regarding drones?

As an illustration, you can currently, walk into a shop that sells drones and walk out with one with just a receipt. Consequently, you don’t have to leave an address or show that you have the competence to fly one.

As a result, is this a recipe for a possible disaster?

Picture of a drone Rules regarding drones

Drone Code Rules Regarding Drones

On purchasing the drone, you might receive a document that says Drone Code when you purchase your drone. Accordingly, this document gives useful information on the limits imposed on drone flyers within the rules regarding drones.

These are:

  • Always keep the drone in sight.
  • Always fly below 400ft from the ground
  • Keep 50metres away from people and property
  • Keep 150metres away from crowds and built-up areas
  • You are responsible for every flight you make.
  • Stay well away from aircraft, airports and airfields

From Nov 30th, 2019 all drones require registering (cost £9) with the CAA before they’re flown and the pilot has to have taken a drone test.

Sounds simple, doesn’t it?

What’s missing from the drone code.

Accordingly, pockets of areas around the UK restrict the flying of drones. Without the knowledge of knowing the whereabouts of these areas, trouble with a capital T could be on your doorstep.

In order to get a full picture, you need aviation charts (purchase from flightstore) and an app (NATS Drone Assist) that lets you know where the no go areas are. For this reason, you need both.

Charts

The charts tell you the height(s) and width the airspace restriction operates. Close to an airport, you may have airspace of the surface to 5000ft. Here you will require permission to fly.

As you move away from the flight line the airspace may be 2000ft to 5000ft. That being the case the height of 2000ft as the base allows the drone to fly at 400ft.

You may also have other restrictions on flying. An example of this is the New Forest. Here you will need commercial operator permission and a fee may be required to obtain permission.

Nats Drone Assist

In this case, this app gives information as to flight restrictions and hazards. It also gives you the areas you can fly in with caution.

Commissioning work responsibilities

As a result of these measures, it’s important to know that if you commission work the operator has commercial permission (PFCO). Current operators can be found on the CAA website.

If your requirement involves aerial photography/videography, contact Martin here.

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Photography Equipment

Photography Equipment I use for a photoshoot

In fact, the choice of photography equipment when I visit a client is important to me.

As a result, portability’s a requirement of the Photography Equipment. Accordingly packed in manageable loads and easy to put together for setup also helps.

Photography Equipment

With this in mind here are the important items

Camera Canon 5dmk2

Picture of a flash gun on a camera Basic DSLR Training Flash Photography Equipment

In this case, I have had this camera for a number of years. In addition, it produces high-quality full-frame images and has proved very reliable. Accordingly, I always mount the camera on a tripod.

Lenses

Picture of a lens

In like manner, the choice of lens is very important. As a result, I use Canon prime lenses 24mm – 70mm and 70mm – 200mm both f2.8.

Lighting

Picture of a soft box on a flash gun Basic DSLR Training Flash

Equally important is the choice of lighting. Moreover, each shoot is unique and may require a different way to light the subject. Therefore, in most cases, I choose flashlights and pocket wizards to wirelessly fire them.

Photography Equipment Backgrounds

In this case, there may be a choice of options. For indoors I use either a portable collapsible backdrop (with stand) or a suitable wall. Consequently, if I am shooting outside I choose an area that has a bit of shade.

Advantages

As a result of the above equipment, transportation is easy. Thus the setup time is minimal. Consequently, this gives the client, minimal downtime for themselves and their staff.

Post Processing

In like manner, at times it is necessary to take along a laptop to post-process the images. In fact, the screen at the back of the camera is small and only gives a representation of the image taken. Therefore to see the true image you require a laptop to see this on.

Therefore, as you can see the equipment required is not vast. Equally, it does allow for easy transportation and setup.

For your time-saving and minimal disruption, headshots contact Martin here.

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Natural Light Portraits

Natural Light Portraits

In the first place, Natural Light Portraits, what is it?

In this case, Natural light portraits are about using the available ambient reflected light to light a subject. As a result, this produces a soft light that complements the subject.

Equipment

In this case first, you need your camera. In fact, I use a Canon 5d mk2. Accordingly, this is a full-frame and has the capability of photographing in very low light.

Picture of a canon 5dmk2 camera

In addition to the camera, I use either a 24mm-70mm 2.8f lens or 70mm-200mm f2.8 lens. Accordingly, both lenses have the capability of operating in low light.

I also prefer to use a lightmeter. Accordingly, the one I use is the Sekonic L-478DR. Consequently, this enables me to measure the light and set the camera accordingly.

Picture of a sekonic light meter L478dr used for Natural Light Portraits

In addition, the next item is a reflector. Furthermore, in my case, it is a 40-inch round 5-in-1 reflector. In this case, the reflectors used freehand or on a stand. In addition, should you use a stand you will require a means to hold the reflector and sandbags.

Background for Natural Light Portraits

In this case, the choice of background for this type of photography is outdoor. In this case, the choice of background for this type of photography is outdoor. Consequently, the rule of this is the subject being the focus of the viewer’s attention. For this reason, the background is out of focus.

Lighting for Natural Light Portraits

Likewise, the advantage of using natural lights the reduction in the amount of equipment needed for the shoot. As a result, you have no requirement for heavy bulky lights or flashguns. For this reason, the reflector’s used to reflect light onto the subject.

Consequently, reflectors have the following uses.

  • To light the subject as the main light
  • As a fill-in light where the light is coming from behind and the subject is in shadow.
  • Diffuse the light onto a subject

Reflector Surfaces

Diffuser

Accordingly, the diffusers surfaces used to place in front of a light to diffuse the light. This will soften the light source so that the shadows on the subject’s face are less harsh.

White Reflector

In this case, the white side of the reflectors used to reflect your main light source to create soft fill light.

When using the reflector to bounce light, you can experiment by moving the reflector around. Closer will boost the light, further away will reduce the light.

Silver Reflector

Equally, the silver reflector works the same way as the white one except it’s more reflective. The light coming from the silver reflector is stronger so it might be useful in situations where there is very low light.

Gold Reflector

Likewise, the gold reflector surface works the same way as the white and silver reflectors except it creates a warm, golden light.

Black Surface

Picture of a reflector

Consequently, the black surface does the opposite of the above surfaces, absorbing or blocking light.

When you have too much light coming from every direction, the black surfaces used as a kind of “anti-fill” light. In this case, the black surface removes the light from one side of the face to add more shadow.

With the information that is contained here, the next thing is for practice. So if you haven’t got a reflector, go and purchase one. Then find a subject to practice with.

As a result of this information, if you still want advice, feel free to contact me.

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Editing using Photoshop

Editing in photoshop

Coupled with processing your images in Bridge/ACR, the next step is editing using photoshop. When you have finished processing in bridge click the open image button.

When the image opens in photoshop it does so on a background locked layer. Before doing any editing you must make a duplicate of the background layer. Once you have done this delete the original background layer. As a result, this helps preserve the original image.

Screenshot of background image Editing using photoshop
Screenshot of background image and duplicated image Editing using photoshop

Level Adjustment Layer

Screenshot of copy background image and levels layer Editing using photoshop

In the first place, my first task in editing using photoshop is to add a levels adjustment layer.

Screenshot of levels layer Editing using photoshop
Screenshot of levels layer adjusting left point Editing using photoshop
Screenshot of levels layer adjusting mid point Editing using photoshop

In this case, the adjustments made by moving the left and right triangles under the histogram. For this reason, move both of the triangles only to where the histogram starts to climb on the graph. By the same token, for accurate measurement hold the option/alt key and move the triangle. In addition, as you start to see something in the image you have gone far enough. Then move the middle triangle to a setting of 1.2, you will notice that the image lightens.

Curves Adjustment Layer

In addition, the curves layer is a graph that defines the image through contrast.

In this case, the histogram shows the brightness of every pixel in the image.  Consequently, it’s an indication of the image’s tonal range.

Screenshot of background copy, levels layer and curves layer
Screenshot of properties curves layer  Editing using photoshop

In this case, those pixels on the left are the dark and on the right the light.

Screenshot of properties curves layer showing adjustment line

In the first place, looking at the chart you have a straight line running from bottom left to top right. For this reason, adjustments made by moving the straight line.

Screenshot of properties curves layer with down and up adjustment Editing using photoshop
Screenshot of properties curves layer with up and down adjustment

This image demonstrates how the image’s lightened when moving the points like this image.

Screenshot of properties curves layer with down and up adjustment original Editing using photoshop

My preferred way to adjust is by moving the line either up or down. As a matter of fact, normally two places on the line require moving in order to form an S curve. Consequently, moving the curve adjusts contrast in the mid-tones. 

Screenshot of properties curves layer showing S curve

Equally important, when dragging the line take care, you want to create a shallow S-curve.

Further Editing using photoshop

Once you have the image adjusted through levels and curves you can then merge the visible layers into one. Now you can perform further editing of the image as required.

Furthermore, if this blog’s raised questions about the process, please feel free to contact Martin.

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Processing RAW Images

Processing RAW Images

In the first place, processing Raw images for me is about doing this in a set way. As a result, after uploading my images to the computer I open up Photoshop bridge. In bridge, I open the file and then pick the first image for processing.

Picture of Photoshop ACR Processing RAW Images

Therefore, the first task is to correct any lens distortion. In this case, to do this I pick on the lens corrections icon (5 from the right). By the same token, next, tick the remove chromatic aberrations and enable profile correction boxes.

Picture of Photoshop ACR showing lens correction Processing RAW Images

In the same fashion, the next icon selected is the detail icon (eight from the right). In this case, I look at the three sharpening sliders. Accordingly, move the amount to 50, the detail to 18, and the masking as desired. In this case, by holding down the alt key and moving the slider. As a result, you are looking for a sharp outline.

Picture of Photoshop ACR showing Sharpening and Noise adjustments Processing RAW Images

In addition, if you are using a high ISO (800 over) you may want to move the noise reduction sliders. Therefore, I find that putting them all in the middle is normally good enough. By the same token, this turns the graining (noise) down in the image.

Processing Raw Images Select all images

Specifically, at this stage, I select all the images. I then highlight them all, right-click and sync them all. You can then work on each image or a batch of images as you go.

In contrast, now the meaty work begins.

Basic Icon

In the first place for processing Raw images, click on the basic icon (first on the left).

In this case look at the histogram at the top of the page are the triangles black? When the triangle show as black this indicates the image as perfectly exposed.

Accordingly, if they are red, green or yellow you will need to do some adjustments.

To make adjustments my preference is to start at the top and work down in the following process.

Profile

If you have created a colour profile then find this from the choice available. If not then use one of the options available.

White Balance (Temperature)

You can either click on a white article in the picture or if you used one a grey card. In general, this will set your white balance.

Tint

Move the tint slider only if you think you need to. In other words, moving the slider to the right adds red into the image. In like manner, but to the left adds green into the image. For this reason, hopefully, you won’t have to move it.

Exposure

Slide this to either brighten or darken the image.

Contrast

As a matter of fact, by moving this to the right you weaken the image, push left and you strengthen.

Picture of Photoshop ACR showing Exposure and contrast adjustments

Processing Raw images Highlight and Whites

Consequently, the next four are related to the triangles in the histogram at the top. As mentioned before if they are red, yellow or green you need to move the sliders.

These sliders affect the triangle on the right when a colour shows (not black) move this to the left. In this case, by moving this slider you will see that the image loses some of its brightness. You only need to use the slider until the triangle changes to black. You might also find that this works together with the whites button. As a result, between the two you will get an image that looks better and right.

Shadows.

By the same token, if you move this slider to the right the shadows will brighten.

Blacks

For one thing, this slider works with the left triangle in the histogram. As a result, if a colour shows (not black) you move the slider to the right to blacken the image. Consequently, as you move the slider the triangle will change colour. You need this black also.

In particular, moving the slider to the right does not resolve the triangle change to black, move contrast/saturation left. For this reason, a word of warning DON’T OVERDO IT.

Clarity

This slider either softens (left) or makes the image harsh (right). In general, beware if your subject is female, too much to the right will not do justice.

Dehaze

In general, the best advice with this slider is that you use it on landscapes.

Vibrance

Likewise, this slider controls the vibrancy of the colours similar in operation to the tint slider. In particular, this weakens or strengthens the colour vibrancy.

Saturation for processing Raw images

In this case, the slider controls the saturation in the picture of the colours. In this case, move to the left the colours completely disappear to Black and White. Consequently, moving to the right you will add more saturated colour.

Picture of Photoshop ACR showing Highlights Shadows Whites and Black adjustments

Advice for Processing Raw Images

Equally important, for processing Raw images with all of the sliders be careful. Don’t overuse it, the eye will tell you when the amount of movement is right. If you are a novice or not sure then try it. In general, note your starting points by writing the settings down and then play with the sliders. Once you’re happy with the result you can save the image (done) or open it in photoshop. This leads on to another blog for the future.

Want to know more? Contact Martin

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PHOTOGRAPHY BRIEF

PHOTOGRAPHY BRIEF

In the first place, a photography brief helps compile information for the photographer. As a result, this information helps the photographer by giving them information regarding the photographs you require.

WHAT THE PHOTOGRAPHER NEEDS

The boring stuff

Your company name and address, this is so they know who is commissioning the work. Together with the responsible person that the photographer will have contact with, this includes contact details.

In light of your requirements, what do you want to use the images for (print, web)? Moreover, what is the date/time the photo shoot is to take place? In addition, have you a list of the images required. Accordingly, if the shoot is outside is there a plan for bad weather? In this case, do you require the images in landscape or portrait, in high resolution or low-resolution imagery?

The essential details

In any event now for the meat of this blog. When did you think about the images you wanted what did you consider? As can be seen, the thoughts that you had are important and should be shared with the photographer.

Overall, are you looking for a particular style for your images? As an illustration, do you have you some examples of what you are looking for? At the same time, do you have links to these images?

Consequently, do you have a message that you want to convey in the image(s)? As a result, does the photographer need to leave space in the image for a logo or branding?

Likewise, what is the lighting like at the location., will the shots require lighting equipment?

The important stuff for the Photography Brief

Therefore, what is the deadline for the images and how do you want to receive them?

As a result, you have a lot to think about. Consequently, to make your life easier, I have produced a photography brief aide memoir and a blank sheet.

For more information Contact Martin he will be happy to discuss your requirements.

Picture of the Photography Brief
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Business Headshots

Business Headshots

As a matter of fact, business headshots for your business are one of your best selling tools. Likewise, people that view your business headshot images form their first impression of you on what they see.

As a result, a business headshot that displays you clearly and shows you as approachable will give a good impression. In other words, a business headshot that confuses viewers will result in the viewer moving on quickly. That’s not just what they are viewing but also your website/social media. In this case, this will not be good for your business.

As an illustration, if you are looking for ideas why not visit Pinterest.

How we can help

In the first place, the first thing that we can do for you saves you money. In this case, we do this by bringing the portable studio to your business. Consequently, downtime’s minimised by you or your staffs from there place of work.

On the positive side, the other benefit this brings is familiarity. As a result, this means that you and your staff relax better in a familiar environment. That is to say, this helps produce a more pleasing image.

What we bring with us.

In the first place the equipment, we bring to the shoot’s, compact. This includes

  • Collapsible Background (White/Green)
  • Lighting (studio lights or flashlights)
  • Tripod
  • Camera
  • Transmitter and trigger units
  • Light meter
  • Lens 24mm-70mm and 70mm to 200mm.

Furthermore, as you can see it’s not a lot of equipment.

Picture of a lens headshots
Picture of a sekonic light meter L478dr headshots
Picture of a soft box on a flash gun Basic DSLR Training Flash
Picture of a flash gun on a camera Basic DSLR Training Flash
Picture of aradio transmitter Basic DSLR Training Flash

What we need in the way of photographing space for headshots

In this case, ideally, a space of 4Metres by 4Metres would be good with no furniture to move. Because space is not always available, we need free space for the collapsible backdrop and the subject to stand. As a result, we can place the portable lights and adjust the light levels. For this reason, we do need an unobstructed view of the subject.

Taking the business headshot

Accordingly, with the equipment set up, light levels adjusted next comes the business of creating images. For one thing, we can create up to 6 peoples images in an hour.

We charge an hourly rate thus saving you money by you not having to pay for individual headshots. In addition, as we photograph each individual the next can be ready to take their place. For this reason, this takes the individual away from there workplace for a minimum amount of time.

When we have finished we pack the equipment up. Furthermore, the cost includes post-processing and delivery via internet protocol.

Now that you know what we do, give Martin a call and book your session.

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How to Prepare for a Headshot Photo Session

How to Prepare for a Headshot Photo Session

Accordingly, headshots from a headshot photo session are a powerful way to market yourself. As a result, you could be a business person, model, lawyer.

Therefore, in this post, I explain how you should prepare for a headshot photo session with a professional photographer.

Choosing a Photographer

In the first place, photographers are all different, no two are alike. As a result, each one has its own individuality of shooting style and editing style and bedside manner. Therefore, one photographer may be very laid back with their clients and like to keep the shoot casual. While another likes to keep a more business-like setting to their sessions. To put it differently, does either style make one less professional? Absolutely not, it’s all a matter of preference.

By the same token, Photographers have different levels of expertise and experience. Thus some have been shooting for 20+ years and their work can be lacking. Equally, others have been shooting for a few short months and have some amazing work under their belt. When choosing a Photographer don’t be fooled by the length of time they have been shooting. Therefore judge them by the quality of their work, most photographers have an online portfolio

Different Types of Headshots

Henceforth, all photographers have a different style of shooting for a headshot photo session. Therefore, you should think about the style that you want. Most importantly tell your photographer which style you want when booking.

Another thing to consider is the background. In fact, I personally prefer white it’s clean and where LinkedIn is concerned, makes you stand out.

Picture of a lady smiling Headshot Photo Session
1. Vertical Studio Headshot

A common style that is vertical (portrait) in orientation. Consequently, this gives you the opportunity to show what you are wearing. Hence, this lets people get a better sense of who you are and what your style is.

2. Peter Hurley Style

Horizontal instead of the traditional vertical usually with a nice and crisp white background.

For this reason, I personally like to shoot this style. The white background works well for all aspects of the internet whether it’s your website or social media.

3. Environmental Headshot

In this case, for professional headshots, environmental headshots are taken outside of a studio. For this reason, this is shot using natural or artificial light.

Consequently, they are a more casual style of image. Hence, a good outdoors headshot is one that has separated from the background. Therefore, the background is blurry and is known as Bokeh.

Getting Ready for your Headshot Photo Session

Accordingly, you’ve chosen your photographer and have had your first discussion over the phone. As a result, you’ve thought about the style you want and the location/background. In addition, the date is looming for the photoshoot. Therefore, being prepared for the shoot makes you relax and easier to photograph.

1. Clothes

Moreover, simple is best. Therefore, what you wear is an expression of you and reflects your personality.

  • Accordingly, choose solid colours as these look good in headshots.
  • Do not wear something that is patterned.
  • In particular, bring a few changes of clothes to the shoot.
  • Equally, it’s not likely that the photographer is going to have an iron. Please make sure ALL clothes are ironed and pressed before the shoot. Because the wrinkles in clothes are difficult to Photoshop out.
  • Likewise, for headshots, you don’t need to worry about your shoes, be comfortable.
2. Hair
  • In this case, please do not visit your hairdresser on the day of the shoot.
  • Accordingly, please bring with you a brush and some hair product (gel/hairspray), this helps to calm any stray flyaway hair.
  • Furthermore, if you can afford it and would like, hire a hairstylist for the morning of the shoot.
3. Makeup and Face
  • In general, start with just enough to cover up any blemishes.
  • Moreover, try not to use matte styles of makeup this is likely to dry out your skin.  It will also show in the finished photo.
  • Please bring your makeup and moisturizer with you just in case your skin does get dry or you need touchups.
  • Likewise, bring lip balm or lip gloss with you to help keep lips looking soft.
  • The night before brush your lips with your toothbrush to help get rid of any dead skin.
  • Don’t do visiting a tanning studio, or have a beauty treatment right before the shoot. It’s important to have a skin that is natural and not irritated.
  • Remove stray eyebrows the night prior to the shoot.
  • Also, if you wear glasses please bring them with you. Also, some lens wipes to clean them before the shoot. Similarly, only wear clear contact lenses if you have coloured ones please don’t wear them for the shoot. To explain, these will look fake in the photos.
FOR MEN.
  • Shave right before you leave for a shoot. Hence, a 5 o clock shadow can’t be Photoshopped easily. Accordingly, use cooling gel or aftershave to help with skin irritation.
  • Bring some oil absorbing sheets to soak up any oil or sweat that might build up during the shoot. As a result, the studio lights can get pretty hot. As a matter of fact, some great sheets are the Clean and Clear: Oil Absorbing Sheets.
4. Practice Makes Perfect

Consequently, as an added extra, if you can afford it. Why not hire a Makeup artist to do your makeup and stay with you during the shoot for touchups.

Before the shoot

  • Furthermore, do you know if you have a good side? Therefore, look at yourself in the mirror, do you have a side that you like better.
  • If you are aware of one eye that is visibly smaller than the other. In this case, turn the side of your face with the smaller eye towards the camera. As a result, it will help reduce the difference between the two.
  • Practice your smile before the shoot. It’s amazing how many will comment and warm to you. A good photographer will get different expressions from you during the shoot.
  • Moreover, if you are have discoloured teeth, let the photographer know, they can correct this in photoshop.
  • Accordingly, if you have a favourite set of music, ask the photographer if you can bring it along.

During the Shoot

  • In this case, music helps take the tension out of your photo session.
  • Equally important, follow the photographer’s direction, even if it sounds a little silly. Accordingly, we know the best posing on headshots and the best way to shape your face. You may feel a little funny posing differently, but trust me the photos will look great.
  • Henceforth, the session should be fun to relax, be yourself.
  • In addition smile, a difficult one to do naturally. In this case, don’t force your smile it will look more genuine.
  • Squint, Squint, Squint!!! Squinting your eyes just a little will also help the shots look more confident and natural. To put it another way, having your eyes wide open looks like a rabbit in the headlights.
  • In addition, take time to relax, drink some water and move away from the lights and take a break.

After the Shoot

Accordingly, each photographer has a different editing style for photos from a headshot photo session. Equally important, let them know if you want the photos edited. In general, here is a list of some of the items you might want to consider.

  • Imperfections. Do you want imperfections cleaned up (Freckles, moles, scars etc…)?
  • Double chin reduction.
  • Eyes Whiter
  • Teeth whitened/corrected
  • Remove bags under the eyes

Equally, don’t feel awkward about asking or the photographer asking you about editing. If they’re truly a professional then they’ll expect this. If you do want any major editing done, please keep in mind that it may cost extra.

Depending on the amount of shoot post-processing that needs undertaking will depend on when the photos are available. Accordingly, please be realistic in your expectation.

Hopefully, this guide will help you prepare for your big day in front of the camera for your headshot photo session. It will also help make your experience a little more stress-free. If you have any questions feel free to leave a comment or email me

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